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Sietzenโ€™s Percussive Play

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    ๐—–๐—”๐—ฅ๐—Ÿ๐—ข๐—ฆ ๐—ฆ๐—œ๐— ๐—ข๐—ก ๐˜๐˜ข๐˜ต๐˜ฆ ๐˜•๐˜ฐ๐˜ธ ๐˜Š๐˜ฐ๐˜ฏ๐˜ฒ๐˜ถ๐˜ฆ๐˜ณ๐˜ด
    ๐—ฃ๐—›๐—œ๐—Ÿ๐—œ๐—ฃ ๐—š๐—Ÿ๐—”๐—ฆ๐—ฆ Faรงades from ๐˜Ž๐˜ญ๐˜ข๐˜ด๐˜ด๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ๐˜ด
    ๐—ฆ๐—ง๐—˜๐—ฉ๐—˜ ๐—ฅ๐—˜๐—œ๐—–๐—› Three Movements for Orchestra

    Composer-conductor John Adams curates and conducts a program of living American composers โ€” from m...

  • Political Prokofiev

    ๐—ฃ๐—ฅ๐—ข๐—ž๐—ข๐—™๐—œ๐—˜๐—ฉ Symphony No. 6 in E-flat minor

    A chilling meditation on World War II from behind the Iron Curtain, Prokofievโ€™s Sixth Symphony radiates dark undertones even in its most sprightly moments. Music Director Franz Welser-Mรถst reflects on the ephemerality of live performance and the outsized ...

  • Leading by Example

    ๐—ฅ. ๐—ฆ๐—ง๐—ฅ๐—”๐—จ๐—ฆ๐—ฆ ๐˜Œ๐˜ช๐˜ฏ ๐˜๐˜ฆ๐˜ญ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ญ๐˜ฆ๐˜ฃ๐˜ฆ๐˜ฏ (A Heroโ€™s Life)

    Franz Welser-Mรถst believes in approaching music with โ€œopen ears,โ€ especially in a piece as rich with extra-musical context as Straussโ€™s very personal ๐˜Œ๐˜ช๐˜ฏ ๐˜๐˜ฆ๐˜ญ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ญ๐˜ฆ๐˜ฃ๐˜ฆ๐˜ฏ. Welser-Mรถst shares the workโ€™s connection to the composerโ€™s life and his own classical ...