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  • Hanniganโ€™s Musical Community

    ๐—›๐—”๐—ฌ๐——๐—ก Symphony No. 44
    ๐—ฉ๐—œ๐—ฉ๐—œ๐—˜๐—ฅ ๐˜“๐˜ฐ๐˜ฏ๐˜ฆ๐˜ญ๐˜บ ๐˜Š๐˜ฉ๐˜ช๐˜ญ๐˜ฅ
    ๐—Ÿ๐—œ๐—š๐—˜๐—ง๐—œ ๐˜“๐˜ฐ๐˜ฏ๐˜ต๐˜ข๐˜ฏ๐˜ฐ
    ๐—ฅ. ๐—ฆ๐—ง๐—ฅ๐—”๐—จ๐—ฆ๐—ฆ ๐˜‹๐˜ฆ๐˜ข๐˜ต๐˜ฉ ๐˜ข๐˜ฏ๐˜ฅ ๐˜›๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ง๐˜ช๐˜จ๐˜ถ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ

    Moving listeners through memory, love, loneliness, triumph, and surrender, Barbara Hannigan leads the Orchestra in a program of Haydn, Vivier, Ligeti, and R. Strauss. She discusses the role music played...

Extras

  • Replay - Dvoล™รกkโ€™s New World Symphony

    Acclaimed conductor Dalia Stasevska returns to Severance for two evocative musical depictions of the American continent. Informed by African American spirituals, Indigenous melodies, and Czech folk songs, Dvoล™รกkโ€™s Ninth Symphony proceeds from one memorable tune to another, including its exquisite...

  • Glover in London

    ๐—•๐—ฅ๐—œ๐—ง๐—ง๐—˜๐—ก ๐˜š๐˜ถ๐˜ช๐˜ต๐˜ฆ ๐˜ฐ๐˜ฏ ๐˜Œ๐˜ฏ๐˜จ๐˜ญ๐˜ช๐˜ด๐˜ฉ ๐˜๐˜ฐ๐˜ญ๐˜ฌ ๐˜›๐˜ถ๐˜ฏ๐˜ฆ๐˜ด
    ๐—ฉ๐—”๐—จ๐—š๐—›๐—”๐—ก ๐—ช๐—œ๐—Ÿ๐—Ÿ๐—œ๐—”๐— ๐—ฆ ๐˜๐˜ข๐˜ฏ๐˜ต๐˜ข๐˜ด๐˜ช๐˜ข ๐˜ฐ๐˜ฏ ๐˜ข ๐˜›๐˜ฉ๐˜ฆ๐˜ฎ๐˜ฆ ๐˜ฃ๐˜บ ๐˜›๐˜ฉ๐˜ฐ๐˜ฎ๐˜ข๐˜ด ๐˜›๐˜ข๐˜ญ๐˜ญ๐˜ช๐˜ด
    ๐— ๐—ข๐—ญ๐—”๐—ฅ๐—ง Piano Concerto No. 22

    Two towering artistic figures โ€” Dame Jane Glover and pianist Imogen Cooper โ€” reunite in Cleveland to perform Mozartโ€™s Piano Concerto No. 22, paired with quintessentially English...

  • Hidden Structures

    ๐—•๐—˜๐—ฅ๐—ก๐—— ๐—ฅ๐—œ๐—–๐—›๐—”๐—ฅ๐—— ๐——๐—˜๐—จ๐—ง๐—ฆ๐—–๐—› ๐˜๐˜ฏ๐˜ต๐˜ฆ๐˜ฏ๐˜ด๐˜ช๐˜ต๐˜บ (World Premiere)
    ๐——๐—ฉ๐—ขล˜ร๐—ž Symphony No. 8 in G Major, Op. 88

    How does a composer envision a brand new piece of music after composing many? How can a conductor make a familiar piece feel new again? Franz Welser-Mรถst pairs the world premiere of Bernd Richard Deutschโ€™s ...

  • Towards Silence

    ๐—›๐—”๐—ก๐—ฆ ๐—”๐—•๐—ฅ๐—”๐—›๐—”๐— ๐—ฆ๐—˜๐—ก ๐˜๐˜ฆ๐˜ณ๐˜ด ๐˜ญ๐˜ฆ ๐˜ด๐˜ช๐˜ญ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ (World Premiere)
    ๐—•๐—ฅ๐—”๐—›๐— ๐—ฆ Piano Concerto No. 2

    Emerging from a collective period of isolation and reflection, Franz Welser-Mรถst, pianist Igor Levit, Principal Horn Nathaniel Silberschlag, and composer Hans Abrahamsen discuss the evocative power of silence and the re...

  • Vรญkingur ร“lafsson in the Jazz Age

    ๐—ฅ๐—”๐—ฉ๐—˜๐—Ÿ Piano Concerto in G major

    The so-called โ€œRoaring Twentiesโ€ unfurled as an explosion of ideas that reshaped cultural and political landscapes, artistic expression, and scientific frontiers. Music Director Franz Welser-Mรถst discusses Ravelโ€™s Piano Concerto in G major as a seminal work that c...

  • Reframing Mussorgsky

    ๐—™๐—”๐—ฅ๐—ฅ๐—˜๐—ก๐—– Symphony No. 3
    ๐— ๐—จ๐—ฆ๐—ฆ๐—ข๐—ฅ๐—š๐—ฆ๐—ž๐—ฌ ๐˜—๐˜ช๐˜ค๐˜ต๐˜ถ๐˜ณ๐˜ฆ๐˜ด ๐˜ข๐˜ต ๐˜ข๐˜ฏ ๐˜Œ๐˜น๐˜ฉ๐˜ช๐˜ฃ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ (orch. Ravel)

    Join Music Director Franz Welser-Mรถst and the Orchestra in a journey of discovery featuring a long-neglected piece by Louise Farrenc and Welser-Mรถstโ€™s very first time conducting a familiar favorite โ€” Ravelโ€™s orchestration ...

  • Their Austrian Roots

    ๐—•๐—ฅ๐—จ๐—–๐—ž๐—ก๐—˜๐—ฅ Symphony No. 4

    Both conductor Franz Welser-Mรถst and composer Anton Bruckner began their creative journeys in Upper Austria, where rolling hills, deep-rooted Catholic faith, and the resilient spirit of its people provided the fertile ground for their artistic evolutions. Those kindred sp...

  • Her America

    ๐—”๐—Ÿ๐—Ÿ๐—œ๐—ฆ๐—ข๐—ก ๐—Ÿ๐—ข๐—š๐—š๐—œ๐—ก๐—ฆ-๐—›๐—จ๐—Ÿ๐—Ÿ ๐˜Š๐˜ข๐˜ฏ ๐˜ ๐˜ฐ๐˜ถ ๐˜š๐˜ฆ๐˜ฆ? (World Premiere)
    ๐—•๐—”๐—ฅ๐—•๐—˜๐—ฅ Cello Concerto

    A Cleveland-Orchestra commission by Allison Loggins-Hull and Alisa Weilersteinโ€™s rendition of Barberโ€™s technically demanding yet infinitely rewarding Cello Concerto take center stage in this captivating program, conducted b...

  • Harding Dissects Mahler's Manuscript

    ๐— ๐—”๐—›๐—Ÿ๐—˜๐—ฅ Symphony No. 4

    Guest conductor Daniel Harding contemplates the distinct beauty of Mahlerโ€™s Fourth Symphony and his profound connection to the composerโ€™s work, as well as the privilege of performing such timeless masterpieces. Before the performance, Harding strolls to the Cleveland Museum...

  • Singer and Storyteller Simon Keenlyside

    ๐— ๐—”๐—›๐—Ÿ๐—˜๐—ฅ Selected Songs from ๐˜‹๐˜ฆ๐˜ด ๐˜’๐˜ฏ๐˜ข๐˜ฃ๐˜ฆ๐˜ฏ ๐˜ž๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ๐˜ฉ๐˜ฐ๐˜ณ๐˜ฏ
    ๐— ๐—”๐—›๐—Ÿ๐—˜๐—ฅ Selected Songs from ๐˜“๐˜ช๐˜ฆ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ถ๐˜ฏ๐˜ฅ ๐˜Ž๐˜ฆ๐˜ดรค๐˜ฏ๐˜จ๐˜ฆ ๐˜ข๐˜ถ๐˜ด ๐˜ฅ๐˜ฆ๐˜ณ ๐˜‘๐˜ถ๐˜จ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ป๐˜ฆ๐˜ช๐˜ต
    ๐— ๐—”๐—›๐—Ÿ๐—˜๐—ฅ Symphony No. 7

    Baritone Simon Keenlyside, a peerless interpreter of art song, performs selections from Mahlerโ€™s ๐˜‹๐˜ฆ๐˜ด ๐˜’๐˜ฏ๐˜ข๐˜ฃ๐˜ฆ๐˜ฏ ๐˜ž๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ๐˜ฉ๐˜ฐ๐˜ณ๐˜ฏ and ๐˜“๐˜ช๐˜ฆ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ถ๐˜ฏ๐˜ฅ ๐˜Ž๐˜ฆ๐˜ดรค๐˜ฏ๐˜จ๐˜ฆ ๐˜ข๐˜ถ๐˜ด ๐˜ฅ๐˜ฆ๐˜ณ ๐˜‘๐˜ถ๐˜จ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ป๐˜ฆ๐˜ช๐˜ต...

  • From Franzโ€™s Early Influences

    ๐— ๐—ข๐—ญ๐—”๐—ฅ๐—ง Symphony No. 29
    ๐—ง๐—–๐—›๐—”๐—œ๐—ž๐—ข๐—ฉ๐—ฆ๐—ž๐—ฌ Symphony No. 2

    Tchaikovsky considered Ukraine a second home and refuge, and he began work on his Second Symphony while staying just outside of Kyiv. One of his most joyful compositions, this symphony ingeniously incorporates Ukrainian folk songs. Equally lively...

  • Sietzenโ€™s Percussive Play

    ๐—๐—ข๐—›๐—”๐—ก๐—ก๐—˜๐—ฆ ๐— ๐—”๐—ฅ๐—œ๐—” ๐—ฆ๐—ง๐—”๐—จ๐—— โ€” ๐˜ž๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ๐˜ข๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ ๐˜ต๐˜ณ๐˜ฆ๐˜ฎ๐˜ฃ๐˜ญ๐˜ฆ๐˜ด (World Premiere)

    A Cleveland Orchestra commission, Johannes Maria Staudโ€™s percussion concerto was crafted with virtuoso percussionist Christoph Sietzenโ€™s electric artistry in mind. Music Director Franz Welser-Mรถst offers a window into this symb...

  • John Adamsโ€™s America

    ๐—š๐—”๐—•๐—ฅ๐—œ๐—˜๐—Ÿ๐—Ÿ๐—” ๐—ฆ๐— ๐—œ๐—ง๐—› ๐˜›๐˜ถ๐˜ฎ๐˜ฃ๐˜ญ๐˜ฆ๐˜ฃ๐˜ช๐˜ณ๐˜ฅ ๐˜Š๐˜ฐ๐˜ฏ๐˜ต๐˜ณ๐˜ข๐˜ช๐˜ญ๐˜ด
    ๐—๐—ข๐—›๐—ก ๐—”๐——๐—”๐— ๐—ฆ ๐˜”๐˜ถ๐˜ด๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜‹๐˜ฆ๐˜ท๐˜ช๐˜ญ ๐˜๐˜ข๐˜ท๐˜ฆ ๐˜ˆ๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ ๐˜Ž๐˜ฐ๐˜ฐ๐˜ฅ ๐˜›๐˜ถ๐˜ฏ๐˜ฆ๐˜ด?
    ๐—–๐—”๐—ฅ๐—Ÿ๐—ข๐—ฆ ๐—ฆ๐—œ๐— ๐—ข๐—ก ๐˜๐˜ข๐˜ต๐˜ฆ ๐˜•๐˜ฐ๐˜ธ ๐˜Š๐˜ฐ๐˜ฏ๐˜ฒ๐˜ถ๐˜ฆ๐˜ณ๐˜ด
    ๐—ฃ๐—›๐—œ๐—Ÿ๐—œ๐—ฃ ๐—š๐—Ÿ๐—”๐—ฆ๐—ฆ Faรงades from ๐˜Ž๐˜ญ๐˜ข๐˜ด๐˜ด๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ๐˜ด
    ๐—ฆ๐—ง๐—˜๐—ฉ๐—˜ ๐—ฅ๐—˜๐—œ๐—–๐—› Three Movements for Orchestra

    Composer-conductor John Adams curates and conducts a program of living American composers โ€” from m...

  • Political Prokofiev

    ๐—ฃ๐—ฅ๐—ข๐—ž๐—ข๐—™๐—œ๐—˜๐—ฉ Symphony No. 6 in E-flat minor

    A chilling meditation on World War II from behind the Iron Curtain, Prokofievโ€™s Sixth Symphony radiates dark undertones even in its most sprightly moments. Music Director Franz Welser-Mรถst reflects on the ephemerality of live performance and the outsized ...

  • Leading by Example

    ๐—ฅ. ๐—ฆ๐—ง๐—ฅ๐—”๐—จ๐—ฆ๐—ฆ ๐˜Œ๐˜ช๐˜ฏ ๐˜๐˜ฆ๐˜ญ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ญ๐˜ฆ๐˜ฃ๐˜ฆ๐˜ฏ (A Heroโ€™s Life)

    Franz Welser-Mรถst believes in approaching music with โ€œopen ears,โ€ especially in a piece as rich with extra-musical context as Straussโ€™s very personal ๐˜Œ๐˜ช๐˜ฏ ๐˜๐˜ฆ๐˜ญ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ญ๐˜ฆ๐˜ฃ๐˜ฆ๐˜ฏ. Welser-Mรถst shares the workโ€™s connection to the composerโ€™s life and his own classical ...

  • Franz in Vienna

    ๐— ๐—ข๐—ญ๐—”๐—ฅ๐—ง Divertimento No. 2
    ๐—ฆ๐—–๐—›๐—ข๐—˜๐—ก๐—•๐—˜๐—ฅ๐—š Variations for Orchestra

    At home in Austria, Franz Welser-Mรถst takes a walk through Vienna, a city steeped in centuries of music history as the home of many famous composers โ€” including Mozart and Schoenberg โ€” and the storied Musikverein. Best remembered for ...

  • The Linz Connection

    ๐— ๐—ข๐—ญ๐—”๐—ฅ๐—ง Symphony No. 36 (โ€œLinzโ€)

    Written on a trip from Vienna to Salzburg, Mozartโ€™s โ€œLinzโ€ Symphony was named for Franz Welser-Mรถstโ€™s Austrian hometown. The Music Director recalls the cultural flowering he witnessed there as a student and reminisces about his earliest days as an aspiring conduct...

  • Alan Gilbertโ€™s Colorful Soundscape

    ๐——๐—˜๐—•๐—จ๐—ฆ๐—ฆ๐—ฌ ๐˜“๐˜ข ๐˜ฎ๐˜ฆ๐˜ณ (The Sea)
    ๐—จ๐—ก๐—ฆ๐—จ๐—ž ๐—–๐—›๐—œ๐—ก ๐˜™๐˜ฐ๐˜ค๐˜ข๐˜ฏ๐˜ขฬ for Orchestra
    ๐—Ÿ. ๐—•๐—ข๐—จ๐—Ÿ๐—”๐—ก๐—š๐—˜๐—ฅ ๐˜‹โ€™๐˜ถ๐˜ฏ ๐˜ฎ๐˜ข๐˜ต๐˜ช๐˜ฏ ๐˜ฅ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ฎ๐˜ฑ๐˜ด (On a Spring Morning)

    Light, shade, and color play an integral role in this luminously French program of Boulanger, Debussy, and Korean composer Unsuk Chin. Conductor Alan Gilbert reminisces about his ...

  • Peter Otto Brings it Home

    ๐—ช๐—”๐—Ÿ๐—ง๐—ข๐—ก Violin Concerto

    First Associate Concertmaster Peter Otto shares his interpretation of Waltonโ€™s Violin Concerto โ€” 83 years after its world premiere with The Cleveland Orchestra. Otto discusses the piece and its lineage, as well has his own sense of musical community.

  • On the Road with Klaus Mรคkelรค

    SIBELIUS Violin Concerto in D Minor
    SHOSTAKOVICH Symphony No. 10

    En route to their first collaboration โ€” an electric reading of Jean Sibeliusโ€™ violin concerto โ€” conductor Klaus Mรคkelรค and violinist Nikolaj Szeps-Znaider discuss the rewarding and hectic realities of life as a touring performer....

  • Artistic Voices

    ๐—ง๐—›๐—ข๐— ๐—”๐—ฆ ๐—”๐——รˆ๐—ฆ ๐˜›๐˜ฉ๐˜ฆ ๐˜Œ๐˜น๐˜ต๐˜ฆ๐˜ณ๐˜ฎ๐˜ช๐˜ฏ๐˜ข๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ˆ๐˜ฏ๐˜จ๐˜ฆ๐˜ญ Symphony
    ๐—ฆ๐—œ๐—•๐—˜๐—Ÿ๐—œ๐—จ๐—ฆ Symphony No. 5 in E-flat major, Op. 82

    Music Director Franz Welser-Mรถst leads The Cleveland Orchestra in a program of works by fiercely individualistic composers Thomas Adรจs and Jean Sibelius. Adรจs describes his surreal childhood influences a...

  • George Walker: Lifting the Veil

    ๐—ช๐—”๐—Ÿ๐—ž๐—˜๐—ฅ ๐˜“๐˜ช๐˜ญ๐˜ข๐˜ค๐˜ด for voice and orchestra
    ๐—ฅ. ๐—ฆ๐—ง๐—ฅ๐—”๐—จ๐—ฆ๐—ฆ Suite from ๐˜‹๐˜ฆ๐˜ณ ๐˜™๐˜ฐ๐˜ด๐˜ฆ๐˜ฏ๐˜ฌ๐˜ข๐˜ท๐˜ข๐˜ญ๐˜ช๐˜ฆ๐˜ณ (compiled by Welser-Mรถst)

    In a program showcasing the breadth and variety of 20th century music, Franz Welser-Mรถst leads The Cleveland Orchestra and soprano Latonia Moore in their first performance of George Walkerโ€™s ๐˜“...

  • Jane Glover: From a Blank Slate

    ๐— ๐—ข๐—ญ๐—”๐—ฅ๐—ง Symphony No. 38 (โ€œPragueโ€) in D Major

    Dame Jane Glover revels in the โ€œwonderful exuberance and nonchalant brillianceโ€ of Mozartโ€™s โ€œPragueโ€ symphony. She describes the freedom of conducting from memory, the relationship between composer and conductor, and her own deep connection with Mozart.