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From Franzโ€™s Early Influences

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  • Sietzenโ€™s Percussive Play

    ๐—๐—ข๐—›๐—”๐—ก๐—ก๐—˜๐—ฆ ๐— ๐—”๐—ฅ๐—œ๐—” ๐—ฆ๐—ง๐—”๐—จ๐—— โ€” ๐˜ž๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ๐˜ข๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ ๐˜ต๐˜ณ๐˜ฆ๐˜ฎ๐˜ฃ๐˜ญ๐˜ฆ๐˜ด (World Premiere)

    A Cleveland Orchestra commission, Johannes Maria Staudโ€™s percussion concerto was crafted with virtuoso percussionist Christoph Sietzenโ€™s electric artistry in mind. Music Director Franz Welser-Mรถst offers a window into this symb...

  • John Adamsโ€™s America

    ๐—š๐—”๐—•๐—ฅ๐—œ๐—˜๐—Ÿ๐—Ÿ๐—” ๐—ฆ๐— ๐—œ๐—ง๐—› ๐˜›๐˜ถ๐˜ฎ๐˜ฃ๐˜ญ๐˜ฆ๐˜ฃ๐˜ช๐˜ณ๐˜ฅ ๐˜Š๐˜ฐ๐˜ฏ๐˜ต๐˜ณ๐˜ข๐˜ช๐˜ญ๐˜ด
    ๐—๐—ข๐—›๐—ก ๐—”๐——๐—”๐— ๐—ฆ ๐˜”๐˜ถ๐˜ด๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜‹๐˜ฆ๐˜ท๐˜ช๐˜ญ ๐˜๐˜ข๐˜ท๐˜ฆ ๐˜ˆ๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ ๐˜Ž๐˜ฐ๐˜ฐ๐˜ฅ ๐˜›๐˜ถ๐˜ฏ๐˜ฆ๐˜ด?
    ๐—–๐—”๐—ฅ๐—Ÿ๐—ข๐—ฆ ๐—ฆ๐—œ๐— ๐—ข๐—ก ๐˜๐˜ข๐˜ต๐˜ฆ ๐˜•๐˜ฐ๐˜ธ ๐˜Š๐˜ฐ๐˜ฏ๐˜ฒ๐˜ถ๐˜ฆ๐˜ณ๐˜ด
    ๐—ฃ๐—›๐—œ๐—Ÿ๐—œ๐—ฃ ๐—š๐—Ÿ๐—”๐—ฆ๐—ฆ Faรงades from ๐˜Ž๐˜ญ๐˜ข๐˜ด๐˜ด๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ๐˜ด
    ๐—ฆ๐—ง๐—˜๐—ฉ๐—˜ ๐—ฅ๐—˜๐—œ๐—–๐—› Three Movements for Orchestra

    Composer-conductor John Adams curates and conducts a program of living American composers โ€” from m...

  • Political Prokofiev

    ๐—ฃ๐—ฅ๐—ข๐—ž๐—ข๐—™๐—œ๐—˜๐—ฉ Symphony No. 6 in E-flat minor

    A chilling meditation on World War II from behind the Iron Curtain, Prokofievโ€™s Sixth Symphony radiates dark undertones even in its most sprightly moments. Music Director Franz Welser-Mรถst reflects on the ephemerality of live performance and the outsized ...