Franz Conducts

Share
  • Expressions of the Human Spirit

    ๐—ฅ. ๐—ฆ๐—ง๐—ฅ๐—”๐—จ๐—ฆ๐—ฆ ๐˜”๐˜ฆ๐˜ต๐˜ข๐˜ฎ๐˜ฐ๐˜ณ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ด๐˜ฆ๐˜ฏ
    ๐— ๐—ข๐—ญ๐—”๐—ฅ๐—ง Requiem, K. 626

    In this digital production, Music Director Franz Welser-Mรถst discusses the importance and evolution of the โ€œCleveland Soundโ€ under his 22-year tenure. Following an impassioned performance of Richard Straussโ€™s ๐˜”๐˜ฆ๐˜ต๐˜ข๐˜ฎ๐˜ฐ๐˜ณ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ด๐˜ฆ๐˜ฏ, take a tour behind the s...

  • Marsalisโ€™s New World

    ๐—˜๐—”๐—ฆ๐—ง๐— ๐—”๐—ก Symphony No. 2
    ๐— ๐—”๐—ฅ๐—ฆ๐—”๐—Ÿ๐—œ๐—ฆ Trumpet Concerto (World Premiere)
    ๐——๐—ฉ๐—ขล˜ร๐—ž Symphony No. 9 (โ€œFrom the New Worldโ€)

    Music Director Franz Welser-Mรถst leads a celebration of African American music โ€” the symphonic tribute to spirituals in Dvoล™รกkโ€™s โ€œNew Worldโ€ symphony, Eastmanโ€™s minimalist Second Sympho...

  • From the Source

    ๐— ๐—”๐—›๐—Ÿ๐—˜๐—ฅ Symphony No. 2 (โ€œResurrectionโ€)

    In 2020, the Cleveland Orchestra received an extraordinary, unique gift: the full, handwritten score of Gustav Mahlerโ€™s Symphony No. 2. Composed for a massive orchestra, choir, and soloists, this meditation on humanityโ€™s search for meaning in life and death...

  • Symphonic Fragments

    ๐—ž๐—ฅ๐—˜๐—ก๐—˜๐—ž ๐˜’๐˜ญ๐˜ฆ๐˜ช๐˜ฏ๐˜ฆ ๐˜š๐˜บ๐˜ฎ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ฏ๐˜ช๐˜ฆ
    ๐— ๐—”๐—›๐—Ÿ๐—˜๐—ฅ Adagio from Symphony No. 10

    Franz Welser-Mรถst traverses worlds of wit and longing in this evocative program. Krenekโ€™s sly and restless ๐˜’๐˜ญ๐˜ฆ๐˜ช๐˜ฏ๐˜ฆ ๐˜š๐˜บ๐˜ฎ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ฏ๐˜ช๐˜ฆ, a forgotten work born of the turbulent 1920s, is followed by the intimate, meditative Adagio from Mahlerโ€™s final...

  • Singer and Storyteller Simon Keenlyside

    ๐— ๐—”๐—›๐—Ÿ๐—˜๐—ฅ Selected Songs from ๐˜‹๐˜ฆ๐˜ด ๐˜’๐˜ฏ๐˜ข๐˜ฃ๐˜ฆ๐˜ฏ ๐˜ž๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ๐˜ฉ๐˜ฐ๐˜ณ๐˜ฏ
    ๐— ๐—”๐—›๐—Ÿ๐—˜๐—ฅ Selected Songs from ๐˜“๐˜ช๐˜ฆ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ถ๐˜ฏ๐˜ฅ ๐˜Ž๐˜ฆ๐˜ดรค๐˜ฏ๐˜จ๐˜ฆ ๐˜ข๐˜ถ๐˜ด ๐˜ฅ๐˜ฆ๐˜ณ ๐˜‘๐˜ถ๐˜จ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ป๐˜ฆ๐˜ช๐˜ต
    ๐— ๐—”๐—›๐—Ÿ๐—˜๐—ฅ Symphony No. 7

    Baritone Simon Keenlyside, a peerless interpreter of art song, performs selections from Mahlerโ€™s ๐˜‹๐˜ฆ๐˜ด ๐˜’๐˜ฏ๐˜ข๐˜ฃ๐˜ฆ๐˜ฏ ๐˜ž๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ๐˜ฉ๐˜ฐ๐˜ณ๐˜ฏ and ๐˜“๐˜ช๐˜ฆ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ถ๐˜ฏ๐˜ฅ ๐˜Ž๐˜ฆ๐˜ดรค๐˜ฏ๐˜จ๐˜ฆ ๐˜ข๐˜ถ๐˜ด ๐˜ฅ๐˜ฆ๐˜ณ ๐˜‘๐˜ถ๐˜จ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ป๐˜ฆ๐˜ช๐˜ต...

  • Garrick Ohlssonโ€™s Piano Lineage

    ๐— ๐—ข๐—ญ๐—”๐—ฅ๐—ง Piano Concerto No. 27

    Pianist Garrick Ohlsson brings his elegant artistry to Mozartโ€™s intimate and lyrical Piano Concerto No. 27, the composerโ€™s final work in the genre. Ohlsson reminisces about growing up in a โ€œtransplanted European cultureโ€ just outside New York City, and, at age 9, att...

  • From Franzโ€™s Early Influences

    ๐— ๐—ข๐—ญ๐—”๐—ฅ๐—ง Symphony No. 29
    ๐—ง๐—–๐—›๐—”๐—œ๐—ž๐—ข๐—ฉ๐—ฆ๐—ž๐—ฌ Symphony No. 2

    Tchaikovsky considered Ukraine a second home and refuge, and he began work on his Second Symphony while staying just outside of Kyiv. One of his most joyful compositions, this symphony ingeniously incorporates Ukrainian folk songs. Equally lively...

  • Their Austrian Roots

    ๐—•๐—ฅ๐—จ๐—–๐—ž๐—ก๐—˜๐—ฅ Symphony No. 4

    Both conductor Franz Welser-Mรถst and composer Anton Bruckner began their creative journeys in Upper Austria, where rolling hills, deep-rooted Catholic faith, and the resilient spirit of its people provided the fertile ground for their artistic evolutions. Those kindred sp...

  • Sietzenโ€™s Percussive Play

    ๐—๐—ข๐—›๐—”๐—ก๐—ก๐—˜๐—ฆ ๐— ๐—”๐—ฅ๐—œ๐—” ๐—ฆ๐—ง๐—”๐—จ๐—— โ€” ๐˜ž๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ๐˜ข๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ ๐˜ต๐˜ณ๐˜ฆ๐˜ฎ๐˜ฃ๐˜ญ๐˜ฆ๐˜ด (World Premiere)

    A Cleveland Orchestra commission, Johannes Maria Staudโ€™s percussion concerto was crafted with virtuoso percussionist Christoph Sietzenโ€™s electric artistry in mind. Music Director Franz Welser-Mรถst offers a window into this symb...

  • Political Prokofiev

    ๐—ฃ๐—ฅ๐—ข๐—ž๐—ข๐—™๐—œ๐—˜๐—ฉ Symphony No. 6 in E-flat minor

    A chilling meditation on World War II from behind the Iron Curtain, Prokofievโ€™s Sixth Symphony radiates dark undertones even in its most sprightly moments. Music Director Franz Welser-Mรถst reflects on the ephemerality of live performance and the outsized ...

  • Vรญkingur ร“lafsson in the Jazz Age

    ๐—ฅ๐—”๐—ฉ๐—˜๐—Ÿ Piano Concerto in G major

    The so-called โ€œRoaring Twentiesโ€ unfurled as an explosion of ideas that reshaped cultural and political landscapes, artistic expression, and scientific frontiers. Music Director Franz Welser-Mรถst discusses Ravelโ€™s Piano Concerto in G major as a seminal work that c...

  • Reframing Mussorgsky

    ๐—™๐—”๐—ฅ๐—ฅ๐—˜๐—ก๐—– Symphony No. 3
    ๐— ๐—จ๐—ฆ๐—ฆ๐—ข๐—ฅ๐—š๐—ฆ๐—ž๐—ฌ ๐˜—๐˜ช๐˜ค๐˜ต๐˜ถ๐˜ณ๐˜ฆ๐˜ด ๐˜ข๐˜ต ๐˜ข๐˜ฏ ๐˜Œ๐˜น๐˜ฉ๐˜ช๐˜ฃ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ (orch. Ravel)

    Join Music Director Franz Welser-Mรถst and the Orchestra in a journey of discovery featuring a long-neglected piece by Louise Farrenc and Welser-Mรถstโ€™s very first time conducting a familiar favorite โ€” Ravelโ€™s orchestration ...

  • Her America

    ๐—”๐—Ÿ๐—Ÿ๐—œ๐—ฆ๐—ข๐—ก ๐—Ÿ๐—ข๐—š๐—š๐—œ๐—ก๐—ฆ-๐—›๐—จ๐—Ÿ๐—Ÿ ๐˜Š๐˜ข๐˜ฏ ๐˜ ๐˜ฐ๐˜ถ ๐˜š๐˜ฆ๐˜ฆ? (World Premiere)
    ๐—•๐—”๐—ฅ๐—•๐—˜๐—ฅ Cello Concerto

    A Cleveland-Orchestra commission by Allison Loggins-Hull and Alisa Weilersteinโ€™s rendition of Barberโ€™s technically demanding yet infinitely rewarding Cello Concerto take center stage in this captivating program, conducted b...

  • Leading by Example

    ๐—ฅ. ๐—ฆ๐—ง๐—ฅ๐—”๐—จ๐—ฆ๐—ฆ ๐˜Œ๐˜ช๐˜ฏ ๐˜๐˜ฆ๐˜ญ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ญ๐˜ฆ๐˜ฃ๐˜ฆ๐˜ฏ (A Heroโ€™s Life)

    Franz Welser-Mรถst believes in approaching music with โ€œopen ears,โ€ especially in a piece as rich with extra-musical context as Straussโ€™s very personal ๐˜Œ๐˜ช๐˜ฏ ๐˜๐˜ฆ๐˜ญ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ญ๐˜ฆ๐˜ฃ๐˜ฆ๐˜ฏ. Welser-Mรถst shares the workโ€™s connection to the composerโ€™s life and his own classical ...

  • Franz in Vienna

    ๐— ๐—ข๐—ญ๐—”๐—ฅ๐—ง Divertimento No. 2
    ๐—ฆ๐—–๐—›๐—ข๐—˜๐—ก๐—•๐—˜๐—ฅ๐—š Variations for Orchestra

    At home in Austria, Franz Welser-Mรถst takes a walk through Vienna, a city steeped in centuries of music history as the home of many famous composers โ€” including Mozart and Schoenberg โ€” and the storied Musikverein. Best remembered for ...

  • The Linz Connection

    ๐— ๐—ข๐—ญ๐—”๐—ฅ๐—ง Symphony No. 36 (โ€œLinzโ€)

    Written on a trip from Vienna to Salzburg, Mozartโ€™s โ€œLinzโ€ Symphony was named for Franz Welser-Mรถstโ€™s Austrian hometown. The Music Director recalls the cultural flowering he witnessed there as a student and reminisces about his earliest days as an aspiring conduct...

  • Peter Otto Brings it Home

    ๐—ช๐—”๐—Ÿ๐—ง๐—ข๐—ก Violin Concerto

    First Associate Concertmaster Peter Otto shares his interpretation of Waltonโ€™s Violin Concerto โ€” 83 years after its world premiere with The Cleveland Orchestra. Otto discusses the piece and its lineage, as well has his own sense of musical community.

  • Artistic Voices

    ๐—ง๐—›๐—ข๐— ๐—”๐—ฆ ๐—”๐——รˆ๐—ฆ ๐˜›๐˜ฉ๐˜ฆ ๐˜Œ๐˜น๐˜ต๐˜ฆ๐˜ณ๐˜ฎ๐˜ช๐˜ฏ๐˜ข๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ˆ๐˜ฏ๐˜จ๐˜ฆ๐˜ญ Symphony
    ๐—ฆ๐—œ๐—•๐—˜๐—Ÿ๐—œ๐—จ๐—ฆ Symphony No. 5 in E-flat major, Op. 82

    Music Director Franz Welser-Mรถst leads The Cleveland Orchestra in a program of works by fiercely individualistic composers Thomas Adรจs and Jean Sibelius. Adรจs describes his surreal childhood influences a...

  • George Walker: Lifting the Veil

    ๐—ช๐—”๐—Ÿ๐—ž๐—˜๐—ฅ ๐˜“๐˜ช๐˜ญ๐˜ข๐˜ค๐˜ด for voice and orchestra
    ๐—ฅ. ๐—ฆ๐—ง๐—ฅ๐—”๐—จ๐—ฆ๐—ฆ Suite from ๐˜‹๐˜ฆ๐˜ณ ๐˜™๐˜ฐ๐˜ด๐˜ฆ๐˜ฏ๐˜ฌ๐˜ข๐˜ท๐˜ข๐˜ญ๐˜ช๐˜ฆ๐˜ณ (compiled by Welser-Mรถst)

    In a program showcasing the breadth and variety of 20th century music, Franz Welser-Mรถst leads The Cleveland Orchestra and soprano Latonia Moore in their first performance of George Walkerโ€™s ๐˜“...

  • Hidden Structures

    ๐—•๐—˜๐—ฅ๐—ก๐—— ๐—ฅ๐—œ๐—–๐—›๐—”๐—ฅ๐—— ๐——๐—˜๐—จ๐—ง๐—ฆ๐—–๐—› ๐˜๐˜ฏ๐˜ต๐˜ฆ๐˜ฏ๐˜ด๐˜ช๐˜ต๐˜บ (World Premiere)
    ๐——๐—ฉ๐—ขล˜ร๐—ž Symphony No. 8 in G Major, Op. 88

    How does a composer envision a brand new piece of music after composing many? How can a conductor make a familiar piece feel new again? Franz Welser-Mรถst pairs the world premiere of Bernd Richard Deutschโ€™s ...

  • Towards Silence

    ๐—›๐—”๐—ก๐—ฆ ๐—”๐—•๐—ฅ๐—”๐—›๐—”๐— ๐—ฆ๐—˜๐—ก ๐˜๐˜ฆ๐˜ณ๐˜ด ๐˜ญ๐˜ฆ ๐˜ด๐˜ช๐˜ญ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ (World Premiere)
    ๐—•๐—ฅ๐—”๐—›๐— ๐—ฆ Piano Concerto No. 2

    Emerging from a collective period of isolation and reflection, Franz Welser-Mรถst, pianist Igor Levit, Principal Horn Nathaniel Silberschlag, and composer Hans Abrahamsen discuss the evocative power of silence and the re...